The film, from the production company of Barack and Michelle Obama, is vying for an Oscar this Sunday. 'Crip Camp' Review: An Empowering Disability Activism Documentary Oh my gosh, you are using the C-word. Previously, many young people with disabilities had been excluded from normal childhood experiences. [6], Richard Lawson of Vanity Fair wrote, "The spirit of revolutionrighteously angry yet full of bonhomie, demanding but generous in its reachis alive and well in the film. Crip Camp: The directors of Netflix's new documentary on what the movie This was the world before the Americans with Disabilities Act. 14 hard-standing pitches for motor home. Summaries. "Crip Camp" draws extensively on terrific contemporaneous black-and-white footage shot by a collective called the People's Video Theater, for which participants were invited to . Crip Camp review - rousing Netflix documentary traces disability rights I want our audience to see a clip, sooner rather than later, because in order to get to that sense of joy and immense freedom that Camp Jened offered to its campers is really contagious. The imagery, the sheer wealth of images that you had to work with I thought was just breathtaking. Directors James Lebrecht Nicole Newnham Writers One of the campers there happened to be Judy Heumann, of course, who is now very well known as a disability rights activist. I mean, especially the footage from the sit-in, is really due to all of us digging around, finding things. Netflix's "Crip Camp" delivers a message of radicalism and compassion that we all need right now This 1950-70s summer camp for disabled youth not provided a coming-of-age experience, but effected . 8 Practical Tips to Maximize Efficiency in Real Estate Investing But Camp Jened was an unusual camp for young people with a wide range of disabilities. 'Crip Camp' Review: Raucous Doc Dispells Biases About Ability - Variety And I kind of rolled my eyes, because it sounded sort of like a cute idea, and like that kind of thing that people always feel their summer camp was special, you know. The goal that Jim and I held dear throughout the entire filmmaking process was that we could shift people's view of disability from a medical model or a charity model to a rights-based model, and that people could see the exciting kind of new perspective of coming to stories from a disabled point of view. You know, the most striking example of that in a film, which is actually literal, is that the Black Panthers delivered food to the organizers who were sitting in this Federal building, you know, for about a month, every single day, three hot meals a day. We were questioning everything, all these different liberation movements, and, you know, why not us? This story was edited for radio by Nina Gregory and adapted for the Web by Petra Mayer. It was just like an editing feat that kind of--you know, if President Obama wants it, then we will make it happen, you know.

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